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Cet ouvrage rassemble dix-neuf essais consacrés au quatrième évangile. Ces études ont été publiées entre 1989 et 2012. Elles sont regroupées en cinq parties: I. L'intrigue, II. Les figures, III. Le lecteur, IV. Christologie et théologie, V. Questions de la méthode. Jean-Marie Sevrin venait des études sur le gnosticisme quand il a accepté d'enseigner le Nouveau Testament. Le quatrième évangile, considéré par certains comme proto-gnostique sinon gnostique, l'offrait une bonne porte d'entrée dans ce corpus. Mais la question gnostique l'a vite paru inopérante pour comprendre ce texte, il parle d'autre chose. Quand on le lit, il faut pour le comprendre se laisser prendre à son jeu. Car il s'agit bien d'un jeu, d'une quête toujours inaboutie. Le fond du texte, sa vérité ultime, échappera toujours au lecteur. Et à ce jeu-là, l'auteur mythique du quatrième évangile est un grand maître. Les essais de Jean-Marie Sevrin, professeur émerite de l'Université Catholique de Louvain (Louvain-la-Neuve), rassemblés dans ce recueil forment l'indispensable complément à son livre Le Jésus du quatrième évangile (Paris, Mame-Desclée, 2011).

Bible NT. Gospels. John --- Bible --- Criticism, interpretation, etc --- Criticism, Textual --- Academic collection --- 226.5 --- Evangelie volgens Johannes --- Criticism, interpretation, etc. --- Bible. John --- Criticism [Textual ]

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JNoli me tangere in Interdisciplinary Perspective: Textual, Iconographic and Contemporary Interpretations is a collection of 23 essays by an international group of contributors on one of the Bible's most influential iconic expressions. The prohibition expressed by the risen Jesus in John 20,17 has influenced Western culture in its Latin rendering as Noli me tangere. As such it became well-known in the visual arts and in literature. The Noli me tangere influenced philosophy and theology, theoretical discussion and practical action. This book's interdisciplinary character is reflected in the fact that it is subdivided into three parts which are of more or less equal length (see I. The Biblical Text and Its Textual Interpretation; II. The Biblical Text and Its Iconographic Interpretation; and III. The Biblical Text and Its Contemporary Interpretation). In its inter- and intra-disciplinary breadth this book could be seen as a window, a mirror and an icon. As a window, it opens up a perspective on the rich cultural and academic Wirkungsgeschichte the words of the Johannine Jesus in John 20:17, in particular in their Latin translation as Noli me tangere, have had. In this way it also documents a phase in the study of the subject. As a mirror, this book challenges the academic disciplines and in particular the scholars themselves by confronting them with their own social and historical location and the way this influences their own research. As an icon, this collection points beyond itself and reminds us that scholarship is not an island, but that in ever so implicit and indirect ways it is part of the human dream for a better world. This book is a witness to the ongoing ways in which the Noli me tangere in its Johannine context and beyond continues to create new meaning.

Mary Magdalene --- Bible NT. Gospels. John --- 225 <063> --- Academic collection --- Noli me tangere (Art) --- Touch --- Senses and sensation in the Bible --- Feeling --- Haptic sense --- Haptics --- Tactile perception --- Tactual perception --- Somesthesia --- Christian art and symbolism --- Bijbel: Nieuw Testament--Congressen --- Religious aspects --- Christianity --- Bible. --- Jean (Book of the New Testament) --- Johanisi (Book of the New Testament) --- Johannesevangelium --- John (Book of the New Testament) --- Yohan pogŭm --- Yohane den (Book of the New Testament) --- Yūḥannā (Book of the New Testament) --- Criticism, interpretation, etc. --- Conferences - Meetings --- Jesus Christ --- Art --- Congresses --- Bible. John --- Criticism, interpretation, etc --- Ioganaĭ (Book of the New Testament) --- Иоганай (Book of the New Testament) --- Maria Magdalena --- Noli me tangere --- Iconographie